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Recommendation: Joe Marchese on the attention economy

This is an interesting piece from REDEF on what happens next in the competition for our ears, eyeballs and thoughts, with a link to a reading list at the bottom.

Recommend.

Organic food became a multibillion-dollar industry as people took a greater interest in what they put in their bodies. The markets will be even bigger that are shaped as people begin to pay greater attention to, and regain control over, what they put in their brains.  The government may even play a role here, but will not need to be as heavy-handed as has been suggested. The solutions that come next will represent a new age of media companies: quantified-self applications for your media habits to help you optimize your “attention diet.” New Operating Systems for recommending entertainment (aka new “TV Guide”). Technology that better values people’s attention and data. Technologies that help people better connect IRL (In Real Life).

Joe Marchese – The Attention Economy Crisis: The Future of Content, Commerce and Culture
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Finishing lines (4) – two numbers

Here’s Seth Godin with some of the best advice I’ve heard for drawing (finishing) lines. It’s especially relevant for businesses.

Q: I’m wondering about personal financing your company and where you draw the line if you’re funding it yourself?

Rule number one is you never put up your house. Don’t laugh. This means you can’t sign a personal guarantee on anything. “You want to rent this? Ok I’ll rent this, but I’m not signing a personal guarantee on anything.”

I have not signed a personal guarantee. I was bankrupt for eight years. I was this close from having to close down for eight years and I still never signed a personal guarantee for anything. That is a line I have chosen to never cross and I encourage everyone to do. The minute you do, suddenly there’s a 3-year-old at home who’s going to have to live on the street if you make a mistake. I just don’t know how to take risks when that’s at stake.

Then the advice that I give people is, if we’re going to be intentional about this, you need to write down a number and a period of time.

The number, it can be as big a number as you want, is the maximum amount of money under any circumstances no matter what that you’re willing to put in. And when you hit that number you can’t put in another penny.

People hate this. They say, “But what if something blah, blah, blah.” NO. There just has to be a number.

The second one is, “How much time before you give up?” And again, it can be 20 years. Fine. But you can’t say, “19 years and 11 months into it, but wait there’s one more deal that might come through.”

You just have those two numbers because if those two numbers are in place and your spouse is aligned with it, you never have to worry about it again. It’s off the table.

This whole situational thing, “I just need $2,000 more,” that’s lying to yourself. The discipline early on is so valuable because then you can spend 100% of your time focusing.
…

So you raise more money than you think you need and you treat it like it’s the last money you’re ever going to have. It’s way better than always wondering where that next nickel is going to come from.

Seth Godin – Start Up School Ep 11: Cash Flow
From a transcript by Kevin Evans
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Finishing lines (2)

Recognising the possibility – or rather, the inevitability – of the death of your project will focus your mind:

  • Given that we can’t do anything in the time available, what’s most important?
  • Will people miss us when we’re gone?
  • Will your project’s main legacy be something physical you’ll leave behind, or an idea or value, or a change in people?
  • Given that the cause that motivates your project will probably remain, what can you do to seed new projects and make it possible for new people to pick up the ball?
  • How can you avoid a painful decline and death-spiral – that is to say, how will you make sure the project dies well?
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Finishing lines (1)

Or

The Physical Impossibility of Death in the Mind of Someone Living

Artwork: Damien Hirst Image: Chaostrophy (Creative Commons BY-NC-SA)

The Physical Impossibility of Death in the Mind of Someone Living

Where are the finishing lines for your project?

Some projects get finished up and wrapped up neatly, others (often work serving people, like education or government) are by nature never finished.

If your project has no clear finish line, it’s worth considering making an artificial one. It could be after a defined length of time or based on contribution: after you’ve achieved a certain goal, had a defined impact… or if something doesn’t happen by a certain timeframe.

Your cause will rumble on (many of our best causes will do so for as long as there are people), but it’s naive (and unhelpful) to think that your project will last forever, at least in its current form.

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The Onion (3): exemplar interesting problem – learning to read

Problems gain (or lose) interestingness as their context and scale changes.

Take teaching a kids to read as an example. It’s almost inevitable that a child will learn to read given the following ingredients:

  • A supportive family
  • A strong reading culture at home
  • A steady supply of good books
  • A reasonable curriculum or methodology for teaching
  • An well educated, motivated teacher (who could be a parent) who cares about the child who shows up consistently
  • A safe, relatively comfortable, relatively calm environment
  • An absence of specific learning difficulties

These factors form a strong, mutually reinforcing (and robust and self-repairing) network/system that makes learning to read more a matter of process than a problem, per se. If one or two of these ingredients are weak or missing, strength in another area will probably make up the difference. The outcome (learning to read) might take a bit more time, but it will happen.

But the more ingredients that are missing from the system – the looser or weaker the network – the harder (and more interesting) the problem becomes. It’s no longer a case of due process, but of finding a path and doing something new.

To be continued…

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Champion, or Ways to Win (1)

There are a couple of types of champion:

Noun 1 A person who has surpassed all rivals in a sporting contest or other competition [as modifier] ‘a champion hurdler’ [OED]

This is the winner, the vanquisher of foes. We all enjoy being this kind of champion – as individuals (probably especially as individuals) and as part of a team (“We are the champions”).

There are good champions and bad ones – heroes and villains, magnanimous victors and churls – but champions are a good thing. It’s fun to strive for something, it’s motivating to compete, and more often than not we like it when someone wins.

It’s also fleeting (“This year’s champions”), and – if you think about it in the wrong way – sets you up for inevitable failure. Sooner or later, someone else will be the champion.

And the things that we can win definitively are rarely important, and rarely satisfying in the long run. They are small, clearly defined, rule-constrained, finite games*.

When we’re striving to win these games, it’s worth double checking what we’re burning up to get there – time, energy, materials, relationships, opportunities – and weighing carefully what we get in return, because ‘fun’ is really the main thing we get from being a champion.

In the morning, life goes on.

All the other rewards of being a champion – prizes, status, the stories we tell ourselves about who we are as winners, and what we say about everyone else – take their meaning from other games we play.

More on this tomorrow.

*See this post, or go straight to James Carse‘s Finite and Infinite Games

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Cut it out, or the impossibility of completeness

Nothing is really complete. That story always needs more context to fully understand, that lesson is inevitably missing something important, that job could always be more polished.

With some things (like painting and decorating), we face the law of diminishing returns: more effort results in less and less improvement. There comes a point where going beyond ‘good enough’ is wasteful.

Other things – presentations and teaching in particular – go beyond diminishing returns to decreasing returns: more content undermines what’s gone before, and reduces the impact you hope to have.

By recognising and accepting the impossibility of completeness – you will never be able to say everything – you free yourself up to focus. Not “What is everything I want people to know?” but “What is enough for today?”

Cut. The. Rest. Out.

Get this right – get clarity, simplicity and focus – and those you’re serving are far more likely to listen, engage and understand. And to come back for the next chapter.

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Peter Drucker on social responsibility

A business that does not show a profit at least equal to its cost of capital is irresponsible; it wastes society’s resources. Economic profit performance is the base without which business cannot discharge any other responsibilities, cannot be a good employer, a good citizen, a good neighbor.

But economic performance is not the only responsibility of a business any more than education is the only responsibility of a school or health care the only responsibility of a hospital.

Every organisation must assume responsibility for its impact on employees, the environment, customers, and whoever and whatever it touches.

That is social responsibility. But we also know that society will increasingly look to major organizations, for-profit and non-profit alike, to tackle major social ills. And there we had better be watchful, because good intentions are not always socially responsible. It is irresponsible for an organisation to accept – let alone to pursue – responsibilities that would impede its capacity to perform its main task and mission, or to act where it has no competence.

Peter Drucker – Managing in a time of Great Change

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The problem vs your feelings about the problem

Are you dealing with a difficult maths problem or with difficult feelings about a maths problem?

Is the struggle with the work itself, or with your feelings – apathy, disillusionment, fury – about doing it?

It might help to shift your attention to those feelings instead of the problem in front of you. So your focus is no longer “write this article” or “make this thing” but “master my feelings about this work” or “inspire myself to finish this piece of the project.”

It might not help, of course, but working with our feelings often turns out to be the hardest part of doing good work. If you can work with them, there’s a double satisfaction in a job well done.

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Mrs D: empty moments

I’m a sucker for filling up spare moments with reading, listening, messaging. I like being in touch with people, and I love learning, so empty moments can feel like moments wasted.

But – and it’s a big but – it’s often in empty moments that your thoughts settle and clear. You make a connection between two thoughts, or have a new idea, or remember what it is you were really supposed to be doing today, or who it is you should be in touch with. You see the things around you more clearly.

You empty moments add value to your full ones by helping you to clarify, simplify and focus. And even if they don’t, they’re worth it on their own terms:

In people’s eyes, in the swing, tramp, and trudge; in the bellow and the uproar; the carriages, motor cars, omnibuses, vans, sandwich men shuffling and swinging; brass bands; barrel organs; in the triumph and the jingle and the strange high singing of some aeroplane overhead was what she loved; life; London; this moment of June.

Virginia Woolf – Mrs Dalloway*

*Which I never thought I’d actually quote, and certainly not in an actual place.